Thursday, December 14, 2017

Invictus: Dark Lords Ascending


INVICTUS

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:

I am the captain of my soul.

- William Earnest Henley, 1875


How does one explain the subtle influences on life, possible outcomes of events, trends in our state of mind? Humans have literally sought answers in the stars since ancient times. One of my recent research topics, the Antikythera Mechanism, is a relic of a people much less concerned with daily clock-time than with the slow dance of the cosmic spheres.


In reconnecting with and meeting new friends -- both women friends from SisterSpirit coven thanks to last spring's priestessing class, and male friends like Timothy and his astrologer friend Christopher -- I've started following a few astrology sources. Mooncircles is one I've watched for years, having found it as a result of seeing when the next doggoned full moon would be, but I now have multiple feeds of information to work with.


Of course, I've sniffed with curious nose into current sky-trends to see if they have anything to do with my so-called "rising mojo", my keen renewal of interest in Magistery and general witchery. Part of it, I'm sure, has to do with a change of living location. But what if it's more?


A feeling of refreshed personal power, magic and confidence? A sudden urge to cut non-nourishing personal ties and links to a stifling past, to cut through any and all bullshit? A desire to build on positive friendships, and to openly cultivate moments of enchantment? And finally, a new surge of the kind of Saturnian energy so well embodied by Snape?
All together now:
It's in the stars!



But seriously, what's up there right now couldn't hurt in explaining some of my perceptions. Last full moon was especially powerful, for instance, in reopening my energy channel, and I felt a resurgence of mystical passion and yearning. Taking note of Saturn and Pluto's movements, via articles like the one below, I invited my friend Tim into the mix for the Green Fire banishing ritual. Depending on their orbits and transits, some of these planetary trends can last for weeks, not just a day.


As for what lies ahead?
Well, I already knew Saturn was headed back home into Capricorn. But after reading the longer of these articles, I could only reply, in my best Rickman silken drawl:

"Oh, my."


Dark Lords of cosmic mystery are doing do-si-dos in the heavens, tugging our finely webbed strings. The Earth Serpent stirs in the wintry soil beneath Saturn's slow transit, pulling me simutaneously into my body and back to my deeper nature. Neptune steps out of retrograde, lifting a fog of obscurity and distraction from the True Calling.


And with this Scorpio-Mars crap (no offense, ancient ones), it's little wonder I can hardly slither my way out of bed, as my own dark lord and animus of transformative mystery seizes me once more in his commanding, passionate embrace. In the past nine-point-five years, I've lain in coitus exactly once -- the Ice Queen habit is hard to crack. But Mars in Scorpio is reiterating a need to heal some long-neglected parts of myself . . . which may mean, if not active partnership, then a bout of being ridden by my animus and surges of creative force like I haven't felt in ages.
I'm game. Time to hold on, literally for dear life!

bring it

Cut the bullshit, dunderheads, and move aside.
The laboratory of life is in active session once more.
Body, mind, and soul, I will be suppressed and shamed no longer.


Did I say shame?


Yeah. Fuck shame.


I came to work with my hair wet n' greasy
I don't blow-dry 'cause then it don't comb easy
Somebody complained that it ain't salon-pretty
Now I'm sitting in a meeting being made to feel shitty
sayin
FUCK SHAME!!!
- some rap I made up a few days ago in the shower, thinking how I never want to feel the shame caused by that job, or some of my former housemates, EVER again. Ever. Life is too fleeting and painful as it is; just ask Severus.


Below are two of the articles.


From Magical Recipes Online, by Mage:










Mars in Scorpio: 9/12/2017 – 26/1/2018

Mars in Scorpio: 9/12/2017 – 26/1/2018
But, also, from the 16th of December on, Mars will be in conjunction with Jupiter. This will be accurate on the 7th of January 2018, but it will be active until the 27th of that month. Even more, from the 22nd of December, Mars will start forming a hexagon with Pluto, the modern astrology’s ruler of Scorpio. This hexagon will become accurate on the 8th of January 2018 and will be active until the 26th of that month. All this auspicious activity will provide great help in our daily lives and in our magic.
Mars in Scorpio and Sex and Passion:
By entering Scorpio, Mars brings back in the foreground the necessity of sexual fulfilment. It encourages us to act on this need, and will also provide opportunities to do so. Especially so, as it conjuncts Jupiter almost the whole time.

Sexual pleasure and fulfilment will be a main subject in our love lives, of course. Existing relationships can be more active in bed and also try new things. Those relationships that don't provide enough sexual pleasure will suffer, and even end in some cases. Erotic passion, of course, can be expressed in other ways than sex. If, because of your age or circumstances, actual intercourse is not possible, raise the passion in other ways. For those seeking a relationship, sexual attractiveness and then fulfilment will be an important parameter. Aries, Scorpio and Taurus, as well as those having their ascendant there, or who have these signs strong in their natal chart, will feel this influence even more powerfully.



Keep in mind that this need is not to be ignored, for it is exactly that. A Need. Mars will neither ask, nor beg. It will demand we’ll enjoy our sexuality and satisfy our sexual needs. If we obey its command, then a general good luck, optimism, self-confidence, creativity and happiness will be present in all aspects of our lives. Not only in our romantic and sexual affairs.
On the other hand, if we choose to ignore or suppress this demanding tendency, then a sense of depression, pessimism, a general lack of energy and enthusiasm, bad luck, and lack of creativity will be regular visitors in our lives. Even more so as Pluto joins the game. So, at the very least, use our “A Mantra for Pleasure and Happiness” to help you spiritually satisfy your sexual needs and freely express your sexuality.

Mars in Scorpio and Exaggerations:

Exaggeration is also a tendency Mars in Scorpio creates. Being in conjunction with Jupiter will make this tendency much too strong. All our emotions will become very strong and, occasionally, overwhelming. This goes both for positive and negative emotions. Our passions, erotic or not, follow the same pattern. For instance, are you passionate about your work, or a hobby? Then this is a time you can become very creative there, but do try to avoid obsession.
Our talents also can be cultivated much during this period. This is a good thing, of course, but regarding this too, try to avoid obsession.
Bodily activity and our body’s image become important as well. Although Mars can give us enough motivation to follow a diet either to gain weight, or reduce it, this can be a double edged knife. Be careful! Try gentle diets for these purposes rather than extreme ones, and of course, ask for your health care professional’s advice first. As Mars is in conjunction with Jupiter, gaining weight is more favoured than reducing it, but again, ask a health care professional for their advice before changing your eating habits.
Exercising is also a way for this tendency to express itself. Again, try to avoid exaggerations and obsessions and take your doctors advice before engaging in such activities. Accidents can also happen in such activities, especially when Mars is stressed by the Moon. So, be extra careful. Even more so, if you choose to do the high-risk kind of such activities. The latter ones can become very seductive, too, during Mars’ presence in Scorpio. Both Pluto’s and Jupiter’s influence add to it.

Mars in Scorpio and Health:

In general, Mars’ presence in Scorpio provides the body with enough energy to maintain its good health, or deal with whatever health issue already exists. Because of the exaggeration tendency, though, health can be sensitive.
Alcoholism, drug addiction, drug abuse and things like those can become stronger and cause more health issues, too. Pluto adds to this tendency quite a bit. Accidents also can happen, as we’ve said.
Also, be extra careful when you are dealing with electricity and fire. Electricity and fire fall under Mars’ influence, after all. Not exactly a health issue, but, electric devices may malfunction during this period.
But most of all, our sexual health becomes important, and can become sensitive too. Be extra careful and always play safe. Venereal diseases, as well as other health issues of the genitals can occur. So, not only in sex, but in your hygiene be careful and thorough. Once again, not obsessively so. Obsession can cause damage, too, you know.



Mars in Scorpio and the Arts:

Mars in Scorpio, as we’ve seen, encourages our talents, including our artistic ones. Arts related with erotic passions, mystery, thriller, magic tricks, or raise the adrenaline will be the most favoured ones. Advancing in these arts and being more creative there, is possible during this period. If your profession is related to these arts, both as an artist and as a seller of art, or as a manager of artists, then fame and profit can come your way. Jupiter’s influence also raise the possibilities for these.

Mars in Scorpio and Work:

The main rule is, if you are passionate about your job, then this is going to be a beneficial period for you. Existing problems and discords in your work area, can become more intense, though. Try to control, or avoid such circumstances.
Professions that deal with illusions, magic, spirituality, death, sex and any kind of danger will be very active. In most cases in a beneficial way, but when there is a danger, be extra careful.

Mars in Scorpio and Magic:

Scorpio is a zodiac of Magic, and now it has both its rulers adding to it. Pluto has already started influencing Scorpio through its hexagon with Jupiter and will continue doing so until next November, if you remember. Even more, during this period the two lords of meditation, Saturn and Mercury, bless Mars in Scorpio; the two lords of manifestation, Jupiter and Saturn, bless it; the two lords of luck, Jupiter and Sun (from December 16 to February 6), do so, too. And this is just some of the focus there. So, all magic is strong during this period.
It goes without saying that Magic related to sex and passion, is the strongest. This includes raising of sexual potency and libido, enhancing seductiveness, strengthening self confidence, attracting sexual pleasures and practising sex Magic. But not only these, of course.
Empowering your magical and spiritual abilities, acquiring new ones – especially after Mercury turns in direct motion – making contact with the other planes, and things like those are also very much supported.
But even if your magical interests are nowhere near these subjects, let me say it again: All Magic is Exceptionally Strong during this period. And, lucky us, the Solstice falls in this magically powerful period. Whether this will be Yule or Litha for you, make the best out of it!"

From Hare-in-the-Moon Astrology:

"Friday, 24 November 2017
"Help me unlearn what I've learned, unravel what shouldn't stay tied, and walk away even when it will never feel comfortable, gentle or right." -- Victoria Erickson.
As Saturn Lord of Time and Karma crosses the Galactic Centre for the first time in 29 years, if you are a sensitive, an empath or working to help people wake up, it's time to pay attention.Because we, more than anyone else, need to stop, reflect and move on. The time for being a bottomless well, a never ending resource, always available, giving away our knowledge,wisdom and love for free is ending. 2018's radical astrology is taking us into a new era starting with continuous reality checks. With Saturn in Capricorn with Pluto the emerging higher time-lines will compel us to re-draw our boundaries, pulling them in tighter and closer; permanently cutting ties with anyone who is a spiritual consumer, who feeds off our words and our energy demanding more and more as a distraction or drama. From now on our mission is to engage only with creators, those who have already woken up.
Signs that you are transitioning to this higher time-line are:losing all passion for your usual ways of working, feeling confused, exhausted and physically drained or ill. If so,understand that you are in a grace period and down tools to allow the evolutionary burn to re-align you. No more feeding the devouring Facebook machine, no more 24/7 availability, no more underselling yourself. Close down, let your energy leaks repair themselves. You're setting the trajectory of your path for the next 30 years -- take it seriously.
Remember: who you are is irreplaceable and not to be given away free to Black Friday spiritual vampires."





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☆   ☆   ☆   ☆   ☆

ANIMA INVICTUS











 The witching hour is long gone. We passed that in the lab. It matters not: For us, every hour is one of sacred alchemy.
 The night is a perfect one. A full moon filters through a torn gossamer veil of misty clouds, tracing gnarled trees bared by winter's frosty claw, bathing the Persian carpets under the tall front windows in a wash of luminous silver.
 A fire burns low under the broad carved mantle, leaving the various treasures arranged on top of it in near darkness. At the far end, an ancient leather-bound book sits in a glass-fronted case, most certainly locked in by more than a key. Next to it, a skull encrusted with peridot and emeralds; cursed, no doubt, untouchable for all its lure. A fragment of coiled snakeskin, the scales so large as to make even a brave pair of eyes grateful never to behold the living creature that once wore it, reposes under a light film of dust.
 An ornate molded ceiling is likewise almost lost in greenish shadows, this room is so vast; and yet, it feels impossibly cosy for such a size: Imbued with magic, it is neither too stuffy nor too chilled, though it could become the latter painfully quickly.
 Like him, if he so wishes it.
 This was a place of Princes, but none reside here any more, and nor would I want one. How overrated are princes, and how I would rather have the king within everyman than a spoilt boy of plastic beauty. No, this is the Hall of Snape; and of everything I cast my gaze upon, Severus is now master. He is also my teacher in this, the mansion of my soul; and while I reside in this wing, he owns me.
 Presently he stretches alongside me, a lazy king snake. His sensuous ease, so misleading. Only a smirk hints at the potency of sweet venom lying coiled in wait within him, a slow curl of the lip as his eyes find mine and grip them, relentless; eyes black and glittering as polished onyx set beneath the brows of a sculpted jade basilisk. How I love them, in all their dark burrowing depths, eyes from which I can hide nothing.
 A beautiful darkness emanates from his whole being, in fact, a kind of implosion of magnetic light; not merely through his eyes, but from his skin, tightening it to a fine pale olive across his facial bones and lean structure, pulling any flush from his hollowed cheeks to store it somewhere private inside, until it finally oozes out the very folicles of his hair, pouring it in a shining, oily spread of inky black over the brocade pillow. He is a man distilled to his densest, most essential elements, born to Saturn's leaden vibration, then honed by the cut of life's laser. Tiny lines touch the corners of his eyes and mouth, etched there by years of sharp truth, dosed liberally with pitiless satisfaction.
 But it is that smug little curl of the mouth that digs its hook into my heart and injects it full of that exquisite philtre of desire, leaving me molten for him, a thin shell barely containing a useless, swirling slop of disjointed parts and jumbled ingredients.
 Lifting one leg, I drape my thigh over his hips with, oh, such luxurious pleasure! I find his hardness amid plush folds of fabric, and he is hungry: His anaconda wants some, and though I've done my damndest to keep it fed, it wants more still. And I'm not complaining. Gratefully I wrap him up in myself and let him slide in for another taste. Gods, but how good he feels!
 Bringing my face to his, I meet his smirk with my own. A guy could not ask for a more slippery, scrumptuous name, on this night or any other. It slips out again and again, wanting to be tasted, and I welcome its soft glide with relish:
 "Severusssssssseverus."
 His only reply is a silken snarl.
 I like being astride him, as though I'm treating him, letting him relax and enjoy it for once. However, he will tolerate but so much of this. He writhes suddenly, rolling us over so that his density presses me into the cushions; then an irrepressible steely rhythm surges through his body, and all I can do is strap up tightly and hang on.
 Afterward, I lie in spent bliss while he tends the fireplace. Magefire can't compete with the scent of a real wood fire, but tending one is easy if you're like him. Flicking his right arm, he produces a thin ebony rod from some secret place, then uses it to wave a fresh large log onto the embers. The wand's polished length glistens as, with another casual flick, he ignites the log to greater flame.
  I can't drag my eyes from Severus's figure, silhouetted against the dancing orange light. Licking tongues of golden brightness splash across those high cheeks as he turns his head, and my chest aches with swelling tides of longing and tenderness: To be near him, with him, in him, is all I want.
 Another brief shimmer of light from the shadows to the left distracts my glance: What looks like eight-foot mirrors running along the end of the room, set in oversized diamond panes of darkened, rippled glass, are really windows. Those on the other side may observe the main hall, but from this room, no one can spy the proceedings behind those windows.
 His laboratory is in there.
 His lab, where we experimented for hours, our bodies twined in sinuous heat, sampling each others' vital fluids, exploring the secrets of one another's anatomy; bringing our frail, trembling corpusi together in desperate primal impulse beneath the glow of the moon as she shone her chill beams through the lofty, looming skylights. The air was cool, yet bracing, as our passions raged hot enough to warm us from the core.
 A lab table makes for quite the nicely hard surface to work on, and I threw my every effort into this, our greatest of experiments, taking his little Snape-seeds into me by the trillions in the hope that one would sprout and grow into our very union of souls, our Magnum Opus.
 The first time he didn't even remove his robes, but took me as masterfully as he looked, while I writhed like a specimen beneath his focused penetrating explorations, writhing not in pain but in rapture, and relishing the feel of his hard, black-clad form between my thighs, squeezing him into me with all my strength --- blessed creature!
 Afterwards I clawed frantically at the unyielding black, at the many tiny buttons that riveted his armor closed in an envelope around his body, ceaseless in my attempts to bring his bared skin against my own, until he lightly slapped my hands away. Then with a single stroke of the wand he unfastened them all in a row, peeling himself free, treating me at last to the spare, scar-lashed beauty of his earthly temple, and I traced every cruelly earned mark with reverence as we conjoined each other gratefully.
 The myriad bottles and jars congregating on the shelves and in the cabinets seemed to watch us with envy, glimmering in the soft gloom like so many eyes, not daring to challenge the skill of the Master but instead awaiting his next command, silenced by awe.
 Later, so much later, we sauntered from the lab, drunk upon each other's tonic brew. I am captivated by his stride, at once graceful yet angular, like syrup poured around steel joints; a purely alluring cross between a strut and a prowl.
 We made our way here, to the long brocade divan in front of the roaring fire beneath its great mantle, where we promptly dissolved into each other again.
 An antiquated bottle, its bulging olive contour backlit to reveal glass bubbled by its primitive manufacture and encasing a full measure of fluid, awaits us on a small round pedestal table of green marble. Next to it rest a gilt box and a pair of quartz goblets traced with filigreed silver. Oh, we've taken our sweet time, certainly. But now we repose languorously, satiated by our feast, and indulge in dessert.
 Severus aims his wand at the cork and it wiggles free with much reluctance, dingy on top with dust and deeply stained as though it would rather stay put for another century or so. Having caught the errant cork in its tumble, he pours us each a gobletful, darker than blood, and I smell port, of a brand I've never tried. Nor is there a label. It is incredible from the first sip, sweet yet complex with just a hint of acrid bitterness. It soon fills my throat and chest with heat.
 "Voice of Sarkos," I mutter. "This is amazing. . . . What is it? A vintage?" It must be, I think, with that cork.
 "Sixteen-something," he replies, as if it were nothing, plumping the pillow upright and easing in to lounge next to me with a lithe ripple. "I forget exactly what year --"
 "Sixteen --?" I gasp, and stare at him. "Severus, this is too precious, I can't drink this."
 "And is not your soul precious?" There is no voice like his for scorn and criticism, though in this case constructive. "Treat yourself," he orders, brooking no argument, "to all the rewards you deserve."
 Exactly as I would wish for him.
 He lifts his goblet for a sip, and I watch the port flow red over his tongue, beneath flashing black eyes that haven't left mine once. I see his throat move as he swallows, then he licks his mouth with a soft lush sound.
 I drink then as well, accepting the rare and sumptuous gift.
 "So," he asks, in a darkly ironic tone I know I would do well to answer, "who is this Sarkos, of whom you speak so reverently?"
 "A great sorcerer," I say simply.
 His voice drops, amusement with perhaps a tinge of menace, and his lips squirm once. "Better than I am?"
 "Maybe," I tell him, in all honesty. "He is the leader of a race of wizards, said to have drunk the blood of their enemies and developed a magic based on their use of sarcasm."
 Interest burns in Severus's gaze now. His cynicism, his criticism, is still able to be outweighed by a desire I know well: The desire to learn, then to master, especially in the field of certain topics. 'Ancient magic', some call it, but we know what that means. . . .
 "Go on," he says.
 I add, "Some say Sarkos is dead; others, that he never lived, and he and his kind are mythical. But others say both he and the Sarkazen are alive and well among us, and simply very, very good at disguising themselves. Hiding, beneath the veneer of the ordinary."
 I run the pad of my finger across his arch lip. "Like you, my secretive one."
 "And you believe the latter," he infers.
 "I rule that anything may be possible, until otherwise proven," I tell him, touching the cleft of his chin lightly. "What about you, Severus? Is it possible you have Sarkazen blood in your veins? A drop of their magic in your tongue, with how keen its stroke can feel to an exposed mind?"
 "I will do my worst," he replies quietly, after a pause, "to prove it."
 And oh, that voice.
 Regardless of his bloodlines, I think, there is magic enough in that voice. Yes: I believe.
 Leaving me to sip and reflect, Sev turns away and consults the gilt box on the table. Inside are clove rolls, wicked little sticks wrapped in black paper. Placing one in his lips, he lights it off his wand in a flare of green flame. After a leisurely pull, he exhales away from my face, toward the mantle.
 Smoking inside! The decadence of it! Rarely does he partake at all; only when he doesn't need that splendid nose of his to detect potions and poisons by scent. Be it anything other than a clove, I'd light into him for it. As it is, the stuff smells like incense and makes me warm for him. Our lovemaking must truly be a cause for celebration, for him to indulge in a vice so rare for him.
 I lay my cheek on his chest and together we breathe our peace into the quiet warmth of the night, him slowly polishing off his clove. I listen to the quiet crackle of smokeleaf over the noises of the fire and the soft, intimate sounds of Severus's mouth as he takes a drag and then sighs, licking his lips with a purr.
 "I've wanted this for so long," I tell him. "Did you know?"
 "Oh, really. What, exactly?"
 "This," I say, raising my face to look at him. "This time, this place. You."
 He lifts an eyebrow. "A bloke with greasy hair, a big nose, a bad rep and a mansion?"
 I choke on a giggle. "Well ---"
 "A rotten old mansion," he adds in a mutter, casting his eyes in a roll around the grand old ceiling in its shadows, before taking another pull. "Still, for all the impurity of my blood, I could have been left with less. . . ."
 "All right, maybe not exactly this," I concede, "but I'm off to a good start, don't you think?"
 Our eyes meet, then he throws back his head and laughs, sending the tiny bumps to fly across my skin. His laugh is rarely heard, but when it is, it is glorious, the sound low and thick and redolent with triumph. His teeth flash in the firelight, uneven and ivory. I used to care about the crookedness of my own teeth, nature's idiot construction that misaligns my smile into a smirk or a sneer, and sometimes I still do; but in his presence I utterly don't give a shit.
 The ringing of his wicked mirth fades into the shifting of logs in the fireplace.
 "It's the mansion, isn't it." He's smirking.
 "No-o." It comes out a dramatic, groaning protest. But I know he's teasing me. Irresistible bugger. "It's everything. All of it."
 Reaching up, I stroke his hooked nose. The curl of his lip deepens, beautifully, and I shiver in delight against him.
 "Then our feelings are mutual," he says. "Ever since I stepped into the world through you, I've felt as much. It isn't perfect, but what is? Someone to talk potions with, who shares in my fondness for insulting the general populace; someone who won't shy away in disgust from discussion of . . . dark . . . magic."
 His onyx gaze flashes into mine, suggestive, then wanders. "It's all I could hope for, when it could have been so much worse . . . has been so much worse . . ."
 Now his eyes see far, fathomless under their moist surficial sparkle; eyes haunted with memories. Shaking free of them, he slips out his wand again and vanishes the fag-end with a wave.
 "But now I'm free, of all that rubbish. Free to be wherever I wish, with whomever I wish."
 And in whomever. Including me. When did my own hair turn black, or get so greasy? When did I sprout such a passion for brewing, or had it incubated in me all along? In truth, I'm already aware it has incubated for years, for most of my life . . . but since what long-ago defining day, lost to the mists of time and my own fuzzier memories? All I know for certain is the sensation I now have of being complete.
 "You are," I whisper. "As am I. And as we both know, blood has nothing on the caliber of your --- of our --- magics. Nor on the power of the soul."
 I lift my hand again to comb his hair gently, fondly, my touch gliding toward the heat of his scalp. Almost immediately I feel the long molecules of warm grease begin wrapping themselves eagerly around my fingers, like cosy little serpents, and soon the pads of my fingertips are silky with his unguent.
 Severus blinks at me once, lazily, then smiles. It's that smile, I think. The one that lets you know you're in rather a lot of trouble.
 He slides over me, black eyes vivid with passion, and even without words his baritone purr holds nothing less than absolute command. The softness of his velour robe is lovely, yet cannot compare to the incredible texture of his living skin. His mouth is delicious, the cruel scalpel of his tongue sweetened with the flavors of dark, rich port wine and spicy clove smoke, mingled with the taste of pure, unfiltered lust. We drink long draughts of each other, insatiable once more. I feel the contour of his sneer curl into my lips, and tender little chills flash down my spine; I could get drunk on that sneer alone, am drunk on it, even without being subjected to the rest of him. And I want all of him. Cool hair sweeps across my cheeks, and an errant lock of it slithers into my mouth; I lick it before spitting it aside, too eager for his lips again, against which his name whispers off my tongue like a prayer of desperation.
 "Severus . . ."
 Warm, living silk of his skin gliding over my face in a single long, serpentine caress, the muscular bands of his supple abdomen brushing my cheek as he covers me, and I crave to pleasure this magnificent creature; curtained by dark velour, I take him whole onto my tongue and worship him. I wait until the first moan catches in his throat like a scrap of velvet on barbed wire, then push, lifting and shifting, to where I can embrace him with all my effort. Then I slurp up his hard, greased length like the confection it is, ripe with that richest of nectars, throbbing with the potential of life, its precious liquid fire teeming with a million sacred seeds, of which I want to waste none. A hasty kiss, a brief taste of his snarling mouth, then he breaks free again, in need of too much air. He doesn't stop until he delivers a double cartridge dose of his potent medicine and powers through to carry us onward into golden ecstasies, a perfect oiled machine of writhing, fluctuent steel.
 "Severus!"
 We sigh into one another, a languid brew of balmy flesh and loose joints. I feel so alive, full of life, slopping over the rim with life. I lay my face against his and nuzzle him, breathing his scent, musky and herbaceous, the pheromones of his desire tinged with smoke and brimstone and the spices of illicit mixtures.
 He is a kind of angel, Severus is, a spirit force able to be anywhere he desires to be, everywhere at once, or nowhere at all. I sometimes feel the soft contour of downy black feathers cupping my head against his chest when I need support the most. I want to fly with him again, to make love to him on the back of the breeze, feeling his chest flexing as his mighty wings cleave the night. To make love to him then, my head fallen back and eyes ablaze with the passing stars and planets in the firmament above, is to make love with the universe itself.
 For now, I'll settle for this.
 "Sev?"
 Quiet; a velvet grunt.
 "I am hungry, Severus."
 "Good." Smirking, he moves on me, his eyes glittering.
 "No, I mean the fire needs fuel. We still have to decide what to eat in this mansion of ours," I said. "Might I suggest cornbread stuffing for dinner, leftover cornbread stuffing for breakfast next morn, and cornbread stuffing for lunch. Then maybe a bit more cornbread stuffing. With Waldorf salad on the side and a bird's nest underneath."
 That was this Christmas: stuffing and more stuffing. Yet it was delicious. But what in Merlin's nose was that mess of moss and twigs doing on the serving table?. . .!
 Him and his specimens.
 Severus quivers against me, unable to separate mirth from wincing.
 "Oh, god," and I love his louche British accent as he says it, "I think we can do better than that. Besides, isn't all we need merely each other?" In his tone and glance, he mocks the popular romantic slop that makes us both wretch. "If so, then I, for one, am sated for the moment. But if you must, the sideboard is loaded. I believe in being prepared."
 There are small pastries, laden with honey, spice and nuts; buttery chunks of toffee and divinity; cutlets of rare flesh and assorted pickled veggies in savory sauces, ten types of chocolate. Cider and wine, black stout and thick bitter coffee of an exotic grind. We fill plates and goblets and feast, his breath painting my hand in wispy strokes and the wet heat of his lips enfolding my fingers as I place delectable morsels into his mouth; black eyes narrow into mine as he moans. Honey, suckled from my nipple; caramel licked from his throat, from the cleft of his breast and other, more intimate places that make us both hiss and growl in the throes of raptures; oil infused with herbs, stroked into skin and hair, mingling with his silky grease.
 I'm folded cosily into him, one leg flung backward over his thigh like a door opened to his invitation, offering to Severus my flesh like a rich pudding into which he delves slowly and with great relish, taking his pleasure in deep silky thrusts, his fingers firm yet sybaritically sensual in their caress as he braces my thigh on his hip, when I notice them.
 In the mirror leaning outward above the mantle, dark ones are gathering outside. Beyond the high front windows, shadows lurk, teeming and plotting.
 "Severus . . ." I indicate the mirror shakily. "What are they?"
 "My foes are many," he says, "and they would have you as well. Anyone who dares to control their own destiny."
 I grasp his fingers tightly. "Whatever will we do. If we can see them, they can see us."
 The idea of being watched, caught like this, so shameless, so vulnerable in our intimacy! It terrifies me!
 Severus has frozen, turned to cold iron in his calculated observance. He is an obsidian-tipped shaft upon a fully-drawn bow.
 "That, they cannot," he murmurs, wriggling his fingers from my grip. "The glass is one way, in our favor. And yet, ignoring the shadows will not make them go away."
 His ebony wand is in his hand, how, I know not; still, he watches, he waits. He knows the finest warriors do not rush in, but time their attack with utmost precision.
 I am a lump on the sofa, a pointless obstacle. No matter: Severus oozes around and over me, eyes never leaving the glass, his speed that of a stalking viper, progress measured in millimetres. His lips brush my ear, along with cool oily licks of black hair: "Keep low. I want you safe."
 Heart pounding, I feel the tiny, tight quivering of his muscles as he readies his action. It builds to a crescendo, then snaps, thrusting me aside as, in a whirl of green dressing gown, he strikes!
 With an ease that seems impossible, he clears the back of the sofa in a vaulting arc, unleashing a blazing flurry of curses; the great room is lit with electric fire, pouring off the end of his ebony wand. The first fussilade goes right through the windows, shattering them in a rain of small deadly shards. Now the glass cannot hold the shadows at bay, but nor can they hide; and even as they engage with dark fire of their own, Sev's hexes spell the doom of three of them.
 I cower behind the sofa. He told me to hide, but what use am I then? Who am I, to let him fight alone and perhaps be killed?
 Against the mantle sidewall leans a staff. I know what kind, too: It's a magestaff, an unwieldy relic, more antique showpiece than practical tool, the sort of thing a crotchety old warlock with a wooden leg would hobble about with to both look impressive and forego the need of a wand. And, it's all I've got.
 I execute a floppy scuttle off the sofa and, keeping low, glom onto the heavy staff at its base so that it topples in a jangle of charms, talismans and knotted twine. Then I wriggle forward, dragging the staff, until I can poke my head around the corner of the sofa.
 Severus's dressing gown is untied. The soft robe hangs loosely upon him, but the hard, tightly coiled body within is that of a serpent, sinews bunching as he hisses through bared teeth. Piton, they called him in Italy, whether Signore or Profesore --- the Python! But now he resembles less the constrictor and more the cobra, or perhaps the English adder, as he strikes and blocks and parries and strikes again, heedless of his unsheathed, naked form. He ducks a sizzling ray in a blur, then spits a greasy lock from his mouth, followed by a curse, all in the matter of a second. I watch, transfixed by his skill. I forget at times the great mage he is: a sorcerer of cutting edge technique, even as a youth; a fighting warlock who has survived innumerable battles . . . a spy!
 No robe for me. I left mine in the lab. Now I've stumbled, been all but shoved, from the closeted confines of Severus's embrace to end up on the floor, woolen rugs scorching my knees. Buck naked and bare-assed, with naught but a big stick.
 I'm a mage, but I'm no wizard of Severus's ilk. I know the power of intent in magic, but I never mastered Latin. All that comes to my frantic mind is a single spell, not in Latin but Greek, that I heard a Sarkazen sorcerer cry years ago. I wrestle with the staff on the floor as awkwardly as though it were a living, resisting being, trying to bring its tip into alignment with the window. Now, if only I could get this big stick to ---
 It finally bursts forth from me in a hoarse bellow:
 "APOKOSMOS!!!"
 A blinding sheet of illumination humbles the moon's glow like starfire out of a cannon, flooding every corner of the room. It passes through the windows, vaporizing two of the shadow-foes where they stand, then hums onward into infinity.
 Having assessed the surprise in a split second, Severus falters not once in his moves, but takes advantage of the distraction to liquidate a sixth shadow hiding behind a stone pillar. I wait in the event I need to employ the stick again, hesitant, my fingers in a whitened grip on its knotted length.
 Curses cease flying. A taut quietude settles over the hall.
 "The last one has fled." Severus keeps raking the night with his glare, ready to act, but his voice comes out flat and hollow.
 Fear stabs into me. "It got away."
 "One invariably gets away," he says thoughtfully, eyes still scanning the darkness beyond the windows. "How else would life challenge us?"
 I am uneasy. There is unfinished business. The last shadow will return.
 I'm also alarmed, disturbed by the power I've unleashed, by the notion of destroying something, especially something sentient. I lean the magestaff back into its place next to the mantle, not wishing to hold it anymore. I feel the urge to retreat into myself, so as to process what has happened.
 But Severus is excited. Aroused, by my actions; by my agreeing to hide on his orders yet refusing to abandon him to the battle. His black eyes burn as he looks at me, then turns and approaches slowly with the silent, oiled prowl of his stride.
 I am embarrassed. I merely brandished a big stick clumsily, while he fought with great skill; as he threw himself to the fray, I cowered. Behind a damn couch, no less. I shy from Severus's hungering gaze, from his touch.
 But he won't hear a word of self depreciation out of me. There is an art, says he, to pushing one's limits. Enough to leave the comfort zone of our fears, so as to take an action. Not enough to end up dead.
 "A snake that strikes and slips away, lives to strike another day. There is no shame in caution, my foolish yet wise love." His velvety voice tightens with the whip of discipline: "And there will be no shame allowed in this house."
 For those words alone if nothing else, I love him.
 "Come!" he cries, bolting toward the table. "The Green Faery will liven you up!"
 I've had absinthe but once, and never via the full and exquisite preparation. No doubt the intricate setup --- the dispensing vitrielle, with its small silver spigot, the miniature goblets and slotted spoon, and dainty yet deadly sugar cubes --- are like ridiculous child's play to a Master Potist of Severus's calibre, yet he seems to enjoy the process no less than the liveliest and most cheerful of mundane men.
 "What? This late? . . .!"
 "Just a bit, a wee tipple! Trust me."
 I go wet at those last words, crafted as they are by that voice. Trusting it is optional. To disobey? Never.
 I eagerly learn the new craft, dripping sugered water in refined measure into the moss-green liqueur until it goes murky, then savoring the sweet aniseed concoction. It goes straight to my head, ensnaring my mind in toxic tentacles, and straight to other parts of me as well, flooding them with heat. A tipple of this is truly all one needs. Even spacing the doses of absinthe with cups of cool herbal tea cannot nullify its potent effect.
 "Sev -- hic -- verus! There's an unidentified root floating in my -- hic -- teacup!"
 "Sweet!" He cackles, tossing back another gobletful. "Make a wish!"
 Soon we are done for, wasted, plastered, loaded, on each other as much as the absinthe, rolling about on the couch, rapidly degenerating into debauchery and cackling like the warlocks we are.
 I recall my regret as, when last winter ended, I took my final run of the slopes. One more chance to fall off the mountain in style, to risk uncertain damage and doom by riding a waxed plank at full tilt over groove and lump; to carve the white serpent in the snow before leaving another season behind. I exhorted myself to hold nothing back, try some stunts, taste the fullest . . . and left myself laughing my eyes to tears at the words of my personal pep talk. Now, as I bring that moment forth again, I holler those same words with gusto, about to burst from mirth:
"I wanna see some fat cobra!!!"
 To which Sev roars with a diabolical laugh of undiluted triumph bordering on ecstasy.
 I end up not only seeing but sucking fat cobra, giggling and moaning around a throbbing throatful. Bathed in his heady scent of pheromones and spice, woodsmoke and herbs, dark passion and potions, I let my precious Master dominate me, yet am also keenly aware of how I in return am able to engineer his pleasure or pain.
 And I want only to pleasure him. This time I take him all the way in, swallow his salty elixir, and by doing so I become him; I am Severus, in all his sublime and secret power. We are all muddled up together, two souls stirred in the same flask until they are inseparable. These material bodies of ours, merely an illusion in the greater plenum of our sensory experience.
 "Severus. . . . Oh Severus, Master. . . ."
 Again and again we unite and combine, pouring ourselves into one another, until my flesh is his, until his sweet unguent exudes from my pores, until our spirits slither together in a single sensuous rhythm. As a unit we worship each other in delirious trance and so too as a unit do we finally collapse.
 He waves a haphazard wand, so that a small bottle appears out of thin air. It bounces off his head, but his hand reaches up to snatch it with a deftness that belies his drunken state.
 "Hic -- whuuf! Gods of Asgard . . . Here, drink two tablespoons of this potion or you'll -- hic -- be sorry in the morning!"
 "Antispiritus Vitae Rec- -- hic -- Rectimens," I read, the label blurring, "What is this . . .?"
 "It's a hangover potion," Sev snaps, much like his old self and less the lusty, delirious celebrant I've just entertained. "And you would do well to take my advice, lest you fancy waking up the -- hic -- hard way!"
 "I'll -- hic -- wake up the hard way any -- hic -- day, provided it's the right sort of hard," I murmur happily, pressing my fingers to the recently fat 'cobra' and giving them a light squeeze. He doesn't remain irritable for long.
 As the fire simmers down to cherry-red embers, our exhuberant frolic mellows to a gentle, happy melange of sinewy limbs, licking mouths, nuzzles and contented cuddling. The room is warm, but the moon slips behind the west wall, angling her beams beyond the windows, leaving us in near darkness, distilling our contact down to the senses of touch, sound, smell and taste. In this moment, we know each other only by a language of hot satin skin, of wet lips murmuring steamy entreaties and cool greased locks of hair.
 The night grows old. Kronos the planet of fate hovers low on the horizon, heralding the first stars of the aurora.
 But we live in a place of souls, Severus and I, an eternal place beyond our frail forms and the mechanical clicking of the years.
 Now he, my beautiful Animus, folds me into coils of muscle like silken-wound steel, so that our bodies melt together even as our spirits fuse as one, and murmurs against my lips that we, in all our power, are
Invictus.



Author's note:
 What is it like to engage in spiritual lovemaking? To fantasize about an imaginary figure or idol, yet be wise enough to realize that said figure is really just an extension of yourself --- the current spiritual archetype that represents both your hidden Shadow self, and the apex of your soul's achievement for that stage of growth? To experience soul completion via sacred internal union?
 It's a little like this little fic.
 Even before I knew what to call it, I have known a rich animus relationship in my life. The list of names is long, each iconic figure of that particular growth stage like an old friend, a teacher to whom I can always return for advice: Lenny, Issa, Vise, Juice, Aftershock, Salazar. As Salazar invited in Snape, so others have followed on Severus's heels, inspired by his power: Isaac, Sarkos, NXS, the entire race of the Sarkazen with whom I still work. Generational animi also point to sequential, or concurrent, aspects of inner exploration: Aftershock is Juice's son; Sarkos is Isaac's uncle, and NXS is Isaac's own soul-brother, each with his own specialty. I'm mainly a straight female, so female animus icons are rare --- yet when they appear, as in the case of Avo Rayo the primal electromagnetic mother and "Mother Road" Slick 66, they wield fully goddesslike power.
 And now, Severus once again, eight years later, poking his hooked nose into my psyche to remind me of the personal power I came all too close to losing, and which he tells me never to relinquish again; Severus, one of only two animi figures not invented by myself to ever qualify for that coveted role of soul-mentor, and certainly the most influential of those two. Severus as animus bears all those defining merits: the Apex of Fulfilment, as Potions Master; the Shadow self, as the dark and dangerous, yet good, warlock; and the Inner Lover, again of a darker sensual variety viewed as shameful or dirty ("bad boy") by current repressed society. Yet I feel a healthy aspect to this animus (and thus my own relationship to sexuality): While avid and passionate, my inner love/lust with Severus is almost if not entirely devoid of outright rape, abuse, or shame. Fantasies can tell us a lot about our view of ourselves, and the health of our internal state; I outgrew regular vampires years ago, for example, when I realized they were inherently stagnant, unable to change or grow from their earthly state, parasitic and, worst of all, devoid of an actual soul. My own powerful mage's soul demanded an animus more profound than a reanimated corpse, however physically attractive one might be; yet the mention of Sarkos and his race, who do employ the use of blood for both their magick and to liberate souls, as well as the dark nature of Severus himself, shows I'm not adverse to exploring shadows. If only we all knew how to use fantasies actively as a tool of growth!
 In such continual animus transformations lies the mutable yet immortal, indestructible power of the soul, gifted with infinite rebirths in its quest for Supreme Unity. As Voldemort stands to warn us, trade this soul for any lasting earthly perks, physical immortality, wealth, for anything at all . . .  and you are nothing.
 Sanctus Severus docerenos.

Wednesday, December 13, 2017

Adventures in Shapeshifting


While I haven't expressed the gothic, Snapelike side of myself in far too long, nor have I been idle when it comes to my nature.

Earlier this year I became interested in another tragic but very real, historical figure, Marie Antoinette, and her story. Drawn first by the extreme fashions of the era, triggered by a character of mine who is interested in fashion, I proceeded to learn what I could.
(The character, Aria Merry, is a psychically sensitive, insecure and somewhat indecisive young woman in a privileged school, whose eyes are opened by her relationship to a sarkazo -- one of Isaac's sharp-tongued kindred and indeed, Isaac's own apprentice: yet another legacy of the sarcastic Severan mouth!)


It turns out Marie Antoinette almost certainly didn't say "Let them eat cake"; it was likely another princess. Yet one more of history's seriously misunderstood, blamed and slandered women, Marie was far from evil; rather, she was largely clueless, closeted in the unbelievable privilege and stifling decorum of the Austrian and French courts, unaware at first of the brutal struggle of the working classes: In France at that time, an equal of today's blue-collar grunt worker might spend 50% of his income just on food; literally, bread. Thus, even a false accusation of the famous cake statement could have been the inflammatory "fake news" that exacerbated an already volatile situation and sent Marie, not to mention an entire class and regime, to its death. Marie did attempt to learn about her nation's politics, but her efforts were viewed as too little, too late by a starving, angry populace. Nor did her rather incompetent husband help her efforts a great deal.


Marie's tragic scapegoating and the fate of the Last Queen is only one of the most obviously grim elements in the tale of the French Baroque era. The fashion excesses alone, the work they required and the lengths to which people inconvenienced themselves, have their own macabre quality -- be it face whitening made from toxic lead oxide, cloth shoes that came apart after the first few steps ("But, Madame, you mist have walked in them!"), or two-foot-high hairstyles so elaborate they were dismantled but once a month for restyling to reveal swarms of bugs, mice and other vermin that had moved into the horsehair padding. Such details give the skin cause to crawl! The French Revolution was directly sparked by resistance to enforced fashions the majority classes could not afford to wear so as to represent themselves lawfully in official proceedings.


In deciding to recreate Marie Antoinette for this year's masquerade ball, I knew I had a big job ahead. It was to be a fun experiment, especially because I have a rather masculine spirit and had rarely, if ever, taken on such a frilly, feminine form. What a joyful mess my bedroom became!


I had a lacy pink princess dress I'd bought at a thrift store -- it would do. But it needed an underskirt, a support system of hoops called panniers to widen the hips into that baroque "cargo door" shape, and poofy hip-cover skirts to accentuate the panniers.


My hair was yet another matter: It was finally long enough to sweep up into a high hairdo, but needed a support of stuffing.


The trouble was, unlike Marie Antoinette, I had no handmaidens. No hairdresser. No seamstress. And above all, comparatively no money.
The story of Cinderella is ancient, possibly Southern European or Classical in origin, but has been readapted through the ages and lent itself well to the Baroque or Ancien Regime era: At the balls of the French royal court, anyone could attend -- if one was properly dressed. No matter who you were, if you could buy, beg, borrow, steal, or make the right sort of fashion, you could walk in that door, just as Cinderella had. Blue collar slave or not, she had arrived rocking royal style; her pretty face did the rest.
I had no fairy godmother. I did have a cheap fabric outlet, a sewing machine, pins and needles. I was on my own.


The result, if I do say, turned out pretty damn good and I was quickly a focus of admiration at our own modern masquerade. The best thing about putting in that much time and work on an outfit -- besides getting to say "I made it" AND wearing it to lots of things -- is the opportunity to inspire others to expand their creative limits, for their next masquerade or elsewhere in life . . . just as those amazing outfits I saw on my first masquerade night became an inspiration to me.


Dec. 9th marked my third experiment with Marie Antoinette style. For the gothic masquerade, I went for a more ghoulish facial look to highlight Marie's tragic history and the inevitable death faced by all eras, fashion and otherwise.



A week later, I accepted my friend Justine's invite to the Red Dress benefit ball for HIV/AIDS, whose theme this year was "red queen", a la the Queen of Hearts. Marie was a perfect fit here, but I chose to indulge her playful side instead.


 I found myself in good company, among both others dressed as historical or cartoon queens, and the other type of "queen" as well: Those guy-girls were simply faaabulous!


Off with their heads, I say!


Finally, I got hold of another French Baroque-style dress a few weeks ago when a 100+ year old Portland store, Helen's Costumers, went out of business. They had a big liquidation sale, so I selected a full Marie-style gown from among the best of condition and several other lovely period garments and props, for which I payed a staggering total low of $30.


A frigid 18th-century French witch . . .


The Marie Antoinette dress from Helen's was blue, and I knew it was destined for the Vespertine Winter masquerade from the start. Using this year's theme of "Night of the Witch Queen", I did my level best to create a witchy sort of Marie Antoinette.


It's not always easy to conjure up a decent ball look when you wake up at five o'clock that afternoon, exhausted after a week of graveyard factory shifts! I cursed, swearing it was the LAST time I'd duke it out with my damned hair, but pulled it together all the same. Still, I'll admit I'm glad that this year I got to cheat, and didn't have to make my dress!


Shapeshifting is an odd business. Just ask any actor; they do it professionally. I watched an interview with Alan Rickman on YouTube two nights ago, in which he described how his choices were crucial in the design of Professor Snape's outfit: By fitting such unusually long, tight sleeves and coat with lots of buttons, he was better able to channel Snape's austere personality as he strapped himself into the fabric form, thus more effectively "shapeshifting" in both body abd mind. Maggie Smith tells a similar tale regarding her role as Ruth DeWitt Bukater in the Titanic film: "I don't feel I have my character until I am in the corset."
What made my latest turn of Marie Antoinette so odd for me is that her iconic look is very feminine, while my soul is currently undergoing a masculine flip. Even as I donned panniers and poofy hair, my spirit was already about half Snape, hardass-warlock type person. It just didn't quite fit as it had earlier this spring -- even though I contain both polarities of gender expression, they each demand their time.
An unpleasant incident I faced while running for my "carriage", the No. 8 bus, drove this home further.
I don't mind running in a gown, carrying hoops. What I do mind is men, particularly scummy sorts of men, and most particularly scummy and rather large black men, acting as if I dressed up just for them (right!) and plastering their lecherous eyes on me. Then asking me three times if I need help, and yelling "F--- you, bitch, I'll chase you down and beat your ass" when I let them know that no, they cannot in fact help. (Sure, as if he really wants to "help". And they actually wonder why we despise them?)
While lecherous losers are drawn to lots of makeup and diamond bling like flies to rotten meat, they just aren't as likely to get stimulated in the nether regions by some skinny, greasy-haired, black-clad, plain-faced, scowling goth brandishing a wand made out of rebar. Snape, for most men, just isn't that sexy. (Some gay men would differ, but gay men often behave less as jerkwads, too, it seems.)
Right then, I longed to ditch the damsel-in-distress princess bullshit -- since I'm not one -- and do worse than Impedimenta the bastard. (Or better yet, Sectumsempra: keep him from breeding.) This blue-collar, beer bottling Cinderella arrived at the ball with a piece of broken, sharp-cornered aluminum plate, scooped from the gutter as a weapon, in her pocket. Just in case.
I'm surprised Cinderella didn't get mobbed and raped on her way home from the ball! Except, she'd barely run down the grand staircase when the clock struck, and her gown changed back to sooty, filthy rags. No prize to be had there.
For better or worse, clothes really are magic.


The rest of the night went well, and I shared it with several other giddy women in wonderful, similarly decadent French Baroque-style outfits. But I decided I've had enough of getting bumped about in panniers for awhile. Maybe, as I later told my friend Timothy, I just wasn't drunk enough.


The next night, I enjoyed shapeshifting of a much different sort. It was Portland's 8th annual Krampuslauf! (as mentioned in a previous post)


I was late. After a lunch with my friend Faith, I dug my furriest coat out of storage, grabbed some hairy, spiked cowhide gauntlets, let down all that copious hair in need of a trim, and hauled ass southeast to join the celebration of Winter's dark side.


I heard the bells first. Then the pan-flutes. Along the south sidewalk, a string of masked, horned figures approached like a scene from a nightmare, infesting Hawthorne Street. I slid quickly into the lineup, tying on a hairy face mask. Even as the chain of Krampusi and other foul sprites oozed down a modern sidewalk, wiggling claws at windows, poking blood-painted faces into doors, banging drums, jingling and sporting clanking cowbells, time shifted. I felt something incredibly ancient, primitive and pagan accompanying us, keeping pace with the group, warding off the modern era wherever we trod. This was Winter as our ancestors had once known it, ruthless and savage, reaching toward any "left out in the cold" with cruel claws. To be ostracized from a clan on account of naughtiness was certainly no picnic in olden days! Small wonder Krampus was an effective threat to children who misbehaved.


After a last bout of shrieks, growls and jingles, we ended all too soon at the park, and I learned the Krampus carol. With so much energy raised, I would have enjoyed doing a ritual of some kind, beyond just a last carol . . . but it seemed we were done. After seeing all I could, I bussed back home.


Here, a tree seems to preside over the gathering of hairy Yuletide demons. My photos don't do the Krampuslauf proper justice, so here's a video on YouTube of the proceedings:

https://m.youtube.com/watch?feature=youtu.be&v=8eY8blRBt-k


Changes of dress and personality needn't be initiated by a big costumed event, of course. Some cases of my own personal "shapeshifting" are simply a case of 'When in Rome'. For instance, I threw myself into snowboarding a couple of years ago. Not only did I dive fearlessly into jumps and half-pipe alongside teeming swarms of young men in beanies and baggies, I quickly assimilated parts of the culture while on the slopes -- with entertaining results:


I laugh every time I see this picture. Clearly, when in this Rome, I'm not any given age, or even a particular gender: I'm a shredder, and nothing but. I blend in, yes, but it goes deeper: I'm channeling the pure soul, the life, of this form.
Looking at this picture, it's boggling even for me to think that this scuzzy, cigar-smoking snowboard bum can, and will, transform into Marie Antoinette at one polar extreme and Severus Snape the next (though an alpine Krampus demon seems within reach here!) -- even while it's me doing it!
But that's how it is for witches, shamans, actors, and all-round shapeshifters. Shifters are fluid. They adapt. They walk between forms, talk to different worlds. Maybe there's a purpose for this talent beyond just having fun. Maybe it's a tool of spiritual evolution. Or, better yet, a way to help those differing polarities communicate, so others can break out of their own rigid little forms and follow in a path of exploration.

Shapeshifting, in my experience, is always an interesting and enlightening pursuit. It certainly begets creativity, no matter which form is decided upon. But with my witchy power feeling keener than it has in years, it goes without saying there's one particular shape I'm just itching to take again.
As usual, I'm . . . up to something.

Tuesday, December 12, 2017

"...and a 'Bah, humbug' to you!"


You're a mean one
       Mr. Snape
  you really are a heel
Your heart is full of gillyworms
  your mind is full of eels
You're a bad banana with a
   . . .GREASY BLACK PEEL!

- to the tune of 'Grinch', obviously


      One of my favourite fan-sketches of Snape. Most folks likely now have Alan Rickman's uptight, erect and even somewhat dapper version of this character in their minds, but for me his primary form has always been more akin to the one above: lean, hard, greasy and exceedingly unpleasant in a way even Alan's version did not convey.

Oh, how I squirmed inside when I first heard the last line of this verse on the radio! It seems like we've all encountered one of those damned bananas -- I've had them go bad in the refrigerator, to the point where even use in banana bread could not have redeemed them. Then there was the time a student threw a banana in the gym, it landed atop part of the wall mats, where it proceeded to rot and melt and dribble down and . . . ew! ew! EW!!
And as a youth and early collegiate, that was exactly how I felt about a certain Mr. Snape. He's one of those fellows whose aura and odor arouses pure horrified fascination, and as much as you loathe him, nor can you tear your eyes, mind and gut sensations away, either.
At some point, however, those first feelings gave way to others, of the same brand that inspired my wicked mind to put two and two together and adapt the Grinch verse. That's when the shivers started to come from a different direction entirely.
Somewhere below the gut this time, to be precise.
"Snape is a gift of a character to write, but who would want him in love with them? It's the bad guy thing again, isn't it?" the author-mother of Snape himself sighed in disgust. "Girls, stop going for the bad guy!"
No, I would have to tell her gently, it's not the bad guy thing; if it was, we'd all be head-over-heels for You-Know-Who, or some travesty like Wormtail (although the handsome and aristocratic Lucius did attract some amorous attention, and he's quite the scumbag too).
It's -- as she no doubt already knows -- the good bad guy thing.
In response to the inquiry of some poor sod such as Gilderoy as to what the secret of his magnetism is, Snape might answer with three things: mastery, mystery, and redemption. (That's if he didn't simply toy with the unfortunate bugger and reply drily, "No idea.")
The last is, perhaps, the most important, but these three qualities combined allow Severus to sweep any competition for many of us. That intoxicating brew of redemptive behavior and greasy black, bad-boy peel is what makes millions of us girlies want to get our slimy little hands all over him. Or at least, deeply admire the stuff he's made of. The anti-hero with a kernel of gold inside his heart -- no matter how embittered or shielded by barbed wire that heart might be -- and whose danger is appealing via his willingness to fight dirty, yet who ultimately fights on the side of right, is irresistable.

So many of us had that one teacher who sucks.
For me, it was Mr. "Jerkobs" in history: I was one of those icy girls whose freckles he didn't dare pinch, whose hair he knew better than to play with, because Queen Frigidaire here didn't go in for that bullshit, from any boy (real men don't engage in this bullshit; they don't feel the need to). I did and still despise him. With his combed dye-job and little red midlife-crisis car. I have the urge to reach for a hatpin every time I see him, so cockjumped and puffed up is his ego. Without some truly redeeming qualities, an arsehole remains in this category and rises no higher.
For Jo Rowling, it was her chemistry teacher:


Poor fellow!
Don't be too hard on yourself, sir. Thanks to you, millions of us have laughed, groaned, winced, and yes, swooned for a sporting twenty years.

Redemption.
It can transform a despicable and miserly old man, nearly too far gone and ossified in spirit beyond hope, into a heartwarming and benevolent grandfather figure who sits welcome and smiling at his clerk's family dinner table: Who has not heard the tale of Ebenezer Scrooge?
It can turn a nasty green monster of a Grinch into a rather kindly old fart.
And it elevated nothing less than a wizard version of a former Nazi -- a bitter, greasy-haired bully of a teacher with a sadistic tongue and extensive, largely self-taught ("Bad Severus! Bad!") knowledge of evil magic into a veritable saint. While other, more shallow heroes and glittering teen idols fade into obscurity or are remembered with a sour aftertaste of "good riddance", Severus Snape is the very opposite of dead: Not only is he arguably one of the greatest characters in recent English literature, he has people literally incarnating him around the world. With at least two altars dedicated to him in my (not very large) city alone, he truly reigns as Saint Severus.
For which I offer one special Latin incantation to all you, my kindred spirits, in light of this Christmas season :

  Venite effing adoramus, you buggers.



Never one for dressing up cheerfully for the holidays, especially in a vulture-topped hat, but that's why we love him. Humbug!


Did I say Merry Christmas? Merry Christmas. Perhaps a friendlier chemistry teacher than Mr. Nettleship cooked up this unique Christmas tree for the amusement of her/his students. Well done, sir.


What do I want for Christmas . . .
Well, use thine effing brains and poke around on eBay. Even a dunderhead can find amazing and appropriate things on the worldwide web, like this ancient pocket scales. Unless, of course, you first find it in a brick-and-mortar apothecary. A "bah, humbug" to Amazon! Support your small-time merchants.


Friday, December 8, 2017

"Gruss vom Krampus!"


"Harry privately felt he'd rather face Slytherin's legendary monster than let Snape catch him robbing his office."

I admit it.
If all in question were, in fact, real, there are a few things I might fear more than a severely angry Severus Snape spotting me being naughty. One of them just might be abduction by Krampus, the terrifying Germanic Christmas devil.


The meeting of pagan dieties and concepts with the Judeo-Christian duality of good and evil may have helped spawn Krampus, the sinister counterpart of benevolent "deity" Saint Nicholas. For many years he wasn't well-known, especially in the USA. But with the arrival of a new movie, a sardonic and apocalyptic mindset, and growing general disgust with consumerism, capitalism and a system that obviously has problems, Krampus is rearing his foul horned head again.


He's a scary bugger, Krampus. According to one article, refugees from the Middle East were warned, upon entering Austria, to expect a sudden moblike attack on a given night by locals dressed as the fearsome Yule devil, but that they had no reason to fear the Krampus-infested streets --- despite horrific masks and feigned child-snatching behavior, it was, after all, just a holiday festival.
 In Portland this coming weekend, we'll be hosting our own Krampuslauf through the streets. Chaos and cackling! Fright and mayhem! Naughty children, beware! If I can find my fur coat and some decent horns (and I'm not too blasted from a week of graveyard shifts), I may join in. This silly, spoiled-rotten nation is asking to be scared in every way.


Props are encouraged. Krampus carries chains, a whipping-broom, and a basket for his prize of bad children to take to the underworld. He is further armed with a famously long, entrapping tongue. Interestingly, I gave some of my own characters special tongues before I ever knew about Krampus; though I did know about Kali Ma, Indian goddess of death and rebirth who destroys evildoers, and who also boasts a long, blood-lusting tongue.


Kali is another dark archetype around whom fed-up folks, particularly women, are rallying today. She destroys outmoded or evil forms of life to make way for new ones; she got so enthusiastic about slaying evil, in fact, that her husband had to lay down in her path to stop her from destroying everything! She stepped on him by accident, and came out of her frenzy.
 Besides the tongue, Kali's weapon is the blade, or scimitar, which she uses to cut away the old life-form and slay enemies. And like both Kali and Krampus, but unlike vampires, my Sarkazen are out to getcha only if you've been very bad. Isaac, for instance, has a lot in common with Severus --- despite his sarcastic, (literally) cutting mouth, he's basically a good guy, a magic kid with a heart of gold:
"Nah, it's not like that, dude. I can't lick you and turn you into a sorcerer."
 While I'm on the topic, millions of pics abound on the Internet of devils, vampires, and Kali and Krampus themselves --- whereas, I've found one, one, that truly captures the spirit of the Sarkazen, so much that it could be Isaac himself. Instead of wielding a sword or flail, the Sarkazen weapon is literally a bladed tongue:


Yum. "Sarcastic": In Greek, it literally means "to rend the flesh", and these folks live up to the name. (Personally, with how many children he's left in shreds, I think Snape might just have possessed some Sarkazen blood, especially with that hooked nose.) Sarcastic people, unpleasant though they can be, also have the power to cut through bullshit and shock us back to reality. In many cultures, the Satyrist is revered or at least respected for this ability to jab and slap a society with its dark side, wake people up, and puncture egos. Based on their rarity of archetype alone, I'm convinced I need to bring Isaac's sharp-mouthed kindred to life, to join task-forces with Krampus in fighting today's rampant corruption. If only Krampus had scared the naughty out of Trump when he was still a good little boy, for instance. . . .
 Krampus or otherwise, for now my own tongue will have do to, KISS-rockstar style. Gruss, yah! But I don't think I'll get quite this close and personal (unless you've been very naughty, or I happen to like you; or both) --- yuck! Krampus grabbing the naughty little fellow's ears reminds me of one Draco Malfoy when he got caught out of bed by Professor McGonagall. Time for the rod and cane! (I'm not sure if any other Hogwarts teachers use this nasty ear pinch, but I will add that with the possible exception of one, I'd rather not be licked by any of them. Definitely a scary thought.)


If I'm feeling especially keen myself, I may try some Krampus-inspired knitting designs. More fun, and certainly more feasible, than dropping eighty bucks I need for a ticket to see Dad for the holidays.
It's . . . Ugly sweater time!


This season, let's hope corporal punishment in the form of rods and canes doesn't come back in style. Then again? Sometimes you get what's coming around . . . and other times you are what's coming around. In a culture of bullshit, maybe it's time to quit taking any.

Greetings from Krampus!

All I want for Christmas


What could I ask for this holiday season, other than being near family members I love? Now: IF I thought it would add five years to my father or grandmother's life, I'd never "Snape out" or go wild with my style again; but I know it can't make a whit of difference. What I will do this season is spend time with both those generations, and courteously refrain from my crazier shenanigans until after I return to my Portland nest.

But it's also true that even family members aren't always telepathically gifted, much less Legilimens. I'm as likely to end up with the pleasant but general gifts like chocolate bars and earrings as I am a truly tailored gift --- although you never know, and a loved one's perceptivity can surprise you! Dad did, after all, give me his very own Potjie pot to use as a cauldron. After reassuring me he hadn't melted lead in it. Dad, you rock. Still, I have a dreadful little tendency to buy my own presents. This, too, is something Dad understands: He knows exactly what he needs. What he uses every day, for instance. Typically, they're called tools.


But both he and I also get a wild hair up in, and buy books or other stuff that we think we might need, or that just strikes our fancy. Like this, for instance: A book on creative scrapbooking and collage. It just makes me happy to look at it. I also figured it could be an inspiration --- my best current collection of "painted pages" happens to be my hand-bound potistry log, which I just caught up in painting-wise in the last few weeks. Not only is Potus ("potion", ninny, not our excuse for a president!) a lot of fun to make, it's built to last a lifetime.


From the same store, New Renaissance, came this: a reference book about history, mythology and symbolism. Couldn't pass it up; I mean, I am big on the snakes, and it looked fascinating when I skimmed it. Did I mention both those books were on sale?


This vintage bottle and a little piece of rather Gothic collage art came from Scrap, the next best thing in the city next to a free box. Yes, it's the honor of Severa's private lab for both you funky misfits.


What's this? In my new loft, there's not only space for an altar but spiritual room to use it. Here's my main one; I sort of have a smaller one in the auxiliary room, where my tiny "lab" is. And I've had a thing for years now, albeit a little thing, for stone blades. I think they're creepy and wonderful and sacred and cool. So when I saw this carved knife ornament, I grabbed it. Like my little cauldron, it saw blessing and use on its first night with me as an athalme, a magical power-channeling tool. Mom disliked stone pointers and knives, likening them to sacrificial implements; but nope, nothing died at the hands of this one.


It's tiny, but it's cozy, it's lab-like and, for the moment, it's mine. Next year, who knows? Take things day by day, and be grateful.


Home: It's where your junk is. Specifically, the stuffed animals, blankies, pillows and crafts. This season, I'm happy just to nest in like a spider, spin soft wool on the drop-spindles I made this autumn, and weave words, art, tunes, and recipes.


I found a house with vintage bottles on the sills, and returned from work one evening to a light-filled window. I'll be home for Christmas --- whether I'm visiting family or coming back to town.

Lab of Dreams: Making Space for the Art


One thing you learn when moving your youthful, financially challenged, sorry arse from one location to another at the whim of authority is how important is the concept of space. Especially, perhaps, for creative and intense minds, such as my own. Without the proper kind of space, or simply enough of it, any kind of craft becomes more difficult. In my instance, my writing suffered the least because of its need for a single tool, and its portability: a mere notepad suffices, and at most a laptop enables one to write a novel. But what about painting or sewing? Or brewing? The former two, I was able to do a bit over the past couple of years. But herbal or other brewing work got increasingly difficult on Simpson Street.

Nor is space only physical.

As Snape could confirm, with his relentless mind and razor-scarred soul, mental and spiritual space is just as important as physical elbow-room . . . maybe even more so. Like him, I apparently have a big personal space radius; but how easily it coexists with others' depends on them. I have a number of friends who I find, plain and simply, awesome. Living with anyone long-term can get touchy, but I'd live with them. I'd do art, sew, dance, read, watch movies, cook, and brew potions alongside them, too. I managed this for a few months, in fact, after leaving Simpson and moving in with friend Kelsey, who does have her Virgo preferences, but at least I had some mental space to work with. But before that, unseen psychological pressure was rife. I was made to feel ashamed --- stuff-shamed for having "a lot of stuff" (yet, for an average American 30-something, I don't); shamed for having my glass carboy full of cider where it sat to brew, and for my bike having no kickstand; criticized and judged, basically, for everything. For not letting my room door stand open, my stuff visible. For existing, it seemed. Just for being me. You don't need to hear shame aloud, even; past a certain level, you can feel it. Even in that sweet, spacious little Victorian house, thanks to other people living there, there was. No. Space.


Now, of course, my situation is wonderful, although still limited in the physical dimension (hence, a storage unit --- that freed me up a great deal, so the need to settle quickly on a less-than-satisfactory home was reduced). But I have mental and spiritual space like I haven't felt in years. Another kind of space, or breathing room, is financial, and right now I have a bit of that, too. Perhaps that accounts in part for my sudden power surge of reinterest in spiritual learning, art, alchemy, potions, and other, possibly space-intensive pursuits.

The perfect space, no less important than the right tools. What is a wizard without the tower, any more than a carpenter without the utility belt? And where, no doubt in a desperate and angry snit, on Earth would a bloke like Severus be without his lab? Until I do possess my own art studio and brewing laboratory-type spaces, I can dream and plan, via images like these.


If I had access to the castle's potion lab, I would probably attempt to spend many of my waking hours (and some hours when I should be sleeping) there: Look at this place! The potential of it all! The sheer infinity of possible combinations and techniques! Sadly, at Hogwarts this might be difficult. Even a diehard lab-loving kid would have to deal with the brutally unyielding mind and spirit of Professor Snape, and his thirst for plenty of space ("What is this?! Out, you dunderheads! I suffer enough of your idiocy in classes!") Therefore, the solution, as above, is first to dream. Then to get rich. Then to buy land and a home and build the . . . best . . . effing . . . lab anywhere, short of nicking half of Snape's s**t. Of which the man would most definitely not approve. A shame. Look at those huge bottles. What's inside?


Whether it be Snape's or another space dedicated to sheltering a blend of the scientific and magical, lab rooms by their very nature attract some people and repel others. The Unknown, a strong force in any lab, is scary to many people, just as both science (especially weird science!) and magic evoke fear in timid minds. The edge of control is always a fine line to surf here, so folks whose faith in their own destiny is shaky, or their relationship with God less than forgiving, may choose to steer clear. Some of these photos are more welcoming, others more sinister, even to me. Yet I can honestly say I could walk into, yes, any of these labs with an open and curious mind, to see what I could learn . . . even if I did decide on protective gloves as a prudent idea.


Can I curl up with an ancient, leather-bound tome of recipes beside the fire in this place, right about now? Ah, crapnuts. The only leather-bound potistry tome I know of isn't ancient --- in fact, it's not even finished, because I'm still compiling the damn thing. Real such books are rare. Thus, on my bucket list is a visit to some European libraries. Until then, there is the wonder of the Internet, where pages of the Voynich Manuscript and other masterpieces can be viewed, and nicked, for free. Hear that, people? Defend your local Potions apprentices! Protect Net Neutrality.


What a wonderful Gothic depiction! My experience in a comparative medicine testing lab does come into play here: On with the barrier clothing, or it's essays and a detention as punishment.


Seriously. All day. Particularly if the weather was inclement; but even on a day like this, I might rise so far into the zone created by this space, hours would slip away into bliss like liquid light
. . . provided I trusted my own abilities not to blow off my eyebrows in a puff. Which I do.
Pleeeeease, Professor . . . .?