Sunday, March 31, 2019

Seasick Much? ...and a crazy "coincidence"


I love big pieces of paper. They have such personality. Even a blank, undecorated large sheet of paper moves and warbles with its own spirit and voice. And a uniquely decorated piece of paper can have the added quality of sheer beauty.


Needless to say, I'm sometimes reluctant to cut such a piece of paper up and parse it out to its various project destinies, however awesome they might be in turn!


This particular sheet of marbled Italian paper came from Columbia Art and Drafting, who has the largest art-paper supply I've ever seen. The very last of its kind in the slot, at least until they order more, it's in fact the only one of its kind if we also consider the unique nature of hand-marbled sheets.


There were dozens of different marbling designs, but I liked this one for its green swirled-potion sloshing effects . . . provided one doesn't look at it too long on an upset stomach! For a leather-bound compendium of potion recipes, however, it's a perfect addition. Specifically, for the inside covers.


Such an amazing vortex of colors, blotches and swirls . . .


. . . Blaouurp!


Seasick much?


I glued the pieces of paper inside the covers as frontispieces, accompanied by other leaves of decorative art paper, some of which do in fact contain leaves! Examples of these "plant papers" are eucalyptus and green onion. This marbled frontispiece has a blotch that resembles a face --- who knows, somebody someday might suspect this tome of being haunted or cursed!


The covers. One is finished; the other just needs its pressed-brass Gothic embellishments glued on.


Check out these endpapers! Both Scrap and Columbia Art supplied a variety of beautiful papers for the extra decorative leaves.

But the strangest part of all was yet to come.


With extra craft time on hand, I decided to knock out those tedious page numbers. After all, I'm ready to start using these things! Leaving one blank grace page for the title page as before, I began to number the random groupings of sketchpad pages, scrapbook papers and translucent craft sheets, leaving not a page counted, even if it was too dark or too translucent to take a proper number on both sides.

As I neared the end, I got a funny feeling and thought: "No way. No effing way. That is just too fucking weird. You cannot be serious. . . ."


But it happened again. Not counting the decorative leaf I'd added that morning, my numbering landed precisely, magically, smack-the-fuck on 700.

Cue the eerie music. These were random, uneven-sized, pick-and-choose style signatures of all different papers, chosen as much for thickness in gluing convenience or my liking the look of several scrapbook sheets together. Maybe I'd take out a few sheets in one and add it to the other before binding, to balance the thickness of both books by eyeballing them, or regrouping one scrapbook sheet with its fellows in the other volume. There is no logical way (besides a deadeye for paper-stack thickness!) I could possibly have landed right on 700, not one but two times!!! And this is after my additions and assembly with the end leaves and covers. Too. Weird.

In the absence of logic, we are left with magic. With the unexplained. This is the sort of "coincidence" that, a few hundred years ago, might have got me burned for being in league with the devil. These days, bitch here just be like, "Welp. . . I have no idea how, but I must be 'dialed in' somehow!" So if you need a bookmaker with possibly untapped powers who has yet to discover their rhyme or reason, well. . . .

Who knows. Maybe the books are already bewitched!


Monday, March 25, 2019

A Spindle for Brighid


While some folks in our spiritual group are "Brigitted out" from excessive focus on her, I have yet to really work with this powerful and insanely multifaceted Irish-Celtic goddess of all human crafts, smithing, childbirth and midwifery, spring and much more, Brighid, also known as Bride or St. Brigid. Since the theme of PaganFaire's ritual in which I have a part revolves around Brigid and the return of spring, I'm hoping to get to know her a bit better.


I've set up an altar to try and connect with her more in preparation for the ritual, and decorated it with images of Brigid and the seeds we got from Spiral Grove's Eostara rite. Inspired by another witch who made some woodburned objects with Ogham signs, I made a spindle dedicated specifically to Brigid and put Ogham inscriptions on it, working late into the night. On the whorl I put symbols for birch, oak, ash and thorn, while on the shaft I put stylized twining leaves of each tree. I painted it, but left it unvarnished because I love how the wood smells!

Below: -- the spindle, with an experimental length of new-spun yarn.


I don't actually work with deities a lot; I mostly work with my personal inner guardian and teacher, or animus-self. I'm also not one to feel right about appropriating random deities for my regular practice, and can have difficulty feeling connected to them (though this may be due to lack of intense effort; the mind is capable of anything). I don't dive right into just every new thing, either; I require time. It may sound odd coming from one who holds, and lights, a candle for Snape on a regular basis --- but I've worked with Severus for ten years now, and his power is as familiar to me as a lover's or my own. Finally, setting up the Brigid altar faced a few tiffles, like getting the images printed, and the tall green candle being too scented for the other woman in our household.

What I figure is that if I have a hard time connecting with Brigid (i.e. delving into meditation enough or doing enough magick to spark a relationship) in the couple of weeks around the ritual, before I have to shift gears for the Butterfly rite in May, then I may be able to connect with her in an ongoing and more leisurely fashion by doing one of the crafts I'm already so fond of, using the tool I dedicated to her: the spindle.


Here are the Ogham signs. Each one refers to not only a tree, but an esoteric meaning. I'm very new to Oghams, and am still learning what all those meanings are!


Saturday, March 23, 2019

Eostara Among Friends


What a wonderful time I had today! Amie swung by and picked me up, and we went to a house down by Johnson Creek for an Eostara ritual given by Spiral Grove. I didn't know it at the time, but our mutual friend Seanachai is high priestess of this group.


The house was warm and funky and totally obviously belongs to someone of esoteric bent, full of random collected objects and mystical books. There was a delicious array of food in the kitchen (in which the biggest griddle I'd ever seen --- "That's the baby-cooker!" one woman cracked --- hung with a bunch of other pots over an ancient black kitchen woodstove), including scrumptious salads, pastas, tortilla sandwich-rolls, and some kind of squishy maraschino cherry sponge cake. The altar was adorably radiant with the energies and colors of spring.


On impulse I'd grabbed two things: my spring-themed spindle (my Brigid spindle wasn't finished yet), and a sachet of seeds from our Full Moon rite for the local pagan community spirits. The spindle went on the altar along with the other cheerful items and offerings.

Best of all, though, I saw someone I typically encounter on a once-every-few-years basis, such as at a Mayday Morris dance: Spiral. For once not in some hectic public venue or swept up in dancing, Spiral and I were able to connect. We found we had a lot to talk about, from mysticism and quantum physics, to job opportunities and why a government job can beget a lack of social media presence. I need to get her phone number!


The ritual began, the quarters invoked. We all rose and filed past a brazier, burning a pinch of herbs along with an intention of release or manifestation. We each drew a colourful plastic Easter egg with a real egg inside, on which a deity name had been written: you might get anyone from Brigid, Demeter or Cerridwen to Hades, Atropos or Persephone. I got Danu, a new one for me; she's a bit like Brigid's greater mother-figure in that same land of the Irish and Celtic, so I felt this was apt for the moment. We then grabbed eggs for those not present; I took one home for Kathleen, who found Persephone inside.


Crazy cool witch home!

We sang songs, such as this traditional threefold goddess seasonal tune:

"She will bring the buds in the Spring
and laugh among the flowers;
In Summer's heat her kisses are sweet
She sings in leafy bowers.
She cuts the cane and gathers the grain
when leaves of fall surround her
Her bones grow old in wintery cold
She wraps her cloak around her."


There was a gift exchange, and to both my relief and regret I picked the same present I had brought (a bottle of tincture). This can be embarrassing, but it's just as much a matter of chance as not for those of us who aren't super-sensitive to energies! I ended up swapping with Spiral, who described herself as a tincture whore, for a healing rock. We also went around to each quarter as we felt called, and gathered seeds or bulbs depending on the qualities we wanted to manifest for the year.

At some point before we rose to pick our seeds, I was moved to speak. The priestess had just finished mentioning the passing of Aunt Susie to the circled coveners, and a blessing had been sent. I pulled out the Full Moon sachet. I described how I and Aurora's little group had invited the energy of Susie and anyone else we could think of into these seeds, and how I didn't know Susie, but felt she would want the seeds --- and their blessings --- to be distributed as widely as possible!

The priestess Seanachai and a few others seemed deeply moved and thanked me, which made me happy --- but my feelings were definitely less about being special than about being a conduit for a good opportunity and blessing that the spirits wanted to make happen: I knew very well those seeds, and everything they meant, would pack more significance for many of the people there than they could for me, since I hadn't known Susie, and would also have a better chance of getting physically dispersed and planted that way! Thus blessing the land and the bees, too. It was more like: "This needs to get done. And you're in a position to help."

A Green Man lamp and other oddness

I found it hard to pick the particular seeds I wanted from the quarters, because they all had such appealing qualities to manifest in ourselves! I finally settled on a fat brown tuber . When the ritual had ended, I could go back and collect more seeds if I desired, or so they told us.

Jade seems to channel Jillian from Practical Magic

For cakes-and-wine, there were pieces of that spongy red-soaked cake, and little orange slices for those with gluten sensitivity. "The cake has ev-erything " we were warned: gluten, sugar, eggs, the lot.


Post-ritual, we hung out and chatted for quite a bit more. As these photos suggest, folks of this stripe tend to be pretty warm and humorous, or at least some are!


I was loth to leave this happy gathering of a couple dozen fellow pagans and mages, but at last Amie drove me home; I gave Kathleen her egg, and then spent the rest of the day content.




Full Moon Elder Blessings


Tonight I visited my friend Aurora's home to partake in a spring Full Moon ritual to honor our elders and spread their blessings.

It turned out that one of the most respected founders of the Oregon Pagan community, Susan or "Aunt Suz", had passed away or "gone over the Rainbow Bridge". I was one of four present, with Aurora as priestess. After lighting candles, each of us calling an element, we invited all the names we could think of in the community to be present. Being mostly solitary, there were many names I didn't recognise, but I called the ones I did know.


We raised a lot of power and directed it into sachets filled with local wildflowers. The intention is that the energy and blessing of all those spirits invited in, especially Aunt Susie, will be spread around the land and over the community as we distribute and plant the flowers.

As things were winding down, one of our number, a young woman called Shade, expressed sudden pain and fear due to a chronic condition, and Aurora held her and sent healing energy into the afflicted part. Then Aurora said to us, with humor, that Aunt Susie had just sent her a spirit message: "Did you really think you'd invite me in and there wouldn't be a healing?"

Powerful stuff. ♡

I accepted a ride home from Shade, sparing me a brief walk but in the rain and late at night. "Be safe," she said.


Wednesday, March 20, 2019

Class in Session: Witch's Rite in the Silver Night


The coming couple of days mark a rare occurrance: the pairing of a Full moon with the Spring Equinox. For me, having just been inspired by reading the blog of another witch and aware of some changes I want to make in my life, last night presented itself as the perfect opportunity to revive my power as a mage and rededicate myself to active magical growth. As well as tie up loose ends. Spring Equinox is a time of rebirth, after all, and there were certain unfulfilled demands I no longer wanted burdening my heart.

Potion ingredients and a new pestle
on the altarspace of Severus

Knowing that it would be a multifaceted sort of night with lots to do, but that I also had all night in which to accomplish everything, I set to work. I gathered the stuff I needed for a simple outdoor ritual, along with my Snape frock, on the bed: candle in a holder, lighter, throwing bones, and three deity link objects (specifically, my Kirke/Hekate amulet and a tiny key for Hekate and my new cobra figure for Mama Serpent and Severus), all wrapped in a fur throwing scrap. I also selected an Oak leaf to write on, symbolising the old to be released and banished with last year, and a Bay leaf for invoking the new. Don't forget the Sharpie marker to write with!

I picked a different smoke to invite each attendant power: old withered Pearly Everlasting from Powell Butte for the dark crossroad goddess and a clove smoke for Severus. Yes, Severus! Let's be honest, here: he's been a figure of power in my life and aid to my spiritual growth now for a formidable ten years, a guide through hard times, a psychic lover, soul animus and, of course, a symbol of total Potions expertise and the undisputed Cursemaster. If the fellow wants a place on my altar, he can have it!

More accurately to the above: According to Chaos theory (I'm a Physics minor, remember), our realities are largely our own constructs, and the universe around us influenced by our minds and vice versa; beneath the complex systems we use to describe our reality, energy in fact works in much simpler patterns. All those systems, from Qabala to chakras to deities, can be considered tools of equal validity in working magic and manifesting our intent, depending on which one works best for each circumstance. This makes an archetypal, collective thought-form embraced by millions of minds, like Snape, as powerful as a god for doing magic or spiritual work --- IF you choose to work with it in that way. Some say you choose what to believe. Another perspective is that we need not "believe" anything; what is, is --- but, we do choose our frames through which to see it, and our tools to manipulate it.

But back to last night.


I managed to fit all the loose bits in my little alchemy-themed box. (Above photo shows what box looked like when opened on site.) But I also packed a small bottle of blended chocolate wine and elderberry liqueur as an offering of gratitude to my two chosen guardians. Before I ventured out, however, I wanted a little boost of courage: I haven't done any truly shady work in awhile.

Courage and energy took the form of a potion, brewed at Severus' altar. Black Chai tea as a base provided the stimulus of heat, spice and caffeine. To it I added the tiniest pieces of:
• Black Nightshade (dark forces, spirit work, endings),
• snakeskin (same, plus transformation, releasing old), and
• Hornet nest paper (spitfire, self-defense, righteous anger, courage, determination, ability to pulverize what you've been given and build a new project of homespace with it).
The tiniest, pinhead-size pieces. Unlike with a medicinal herb brew, the idea here is that large amounts are not necessary to impart the desired energy to a brew, especially when the ingredients are magically potent and/or medically dangerous.

I drank half my cup of potion tea . . . but my work with herbs wasn't finished.

Fur throwing piece makes a good altar
cloth in a Birch grove in the park

I'd gone out to the car and fetched a little pestle I'd found at The Dump (Lopez Island's famous transfer station and free-trade exchange), which just needs a chip at its base repaired. Time to inaugurate it! On the ground beside the car I found an old dirty curved bone, and promptly decided it was a gift, to be used in ritual that very night. I'd brought both inside and put them on the altar before I started brewing my tea.

Now, at long last, I dug out the dried herbs I'd salvaged from my poor destroyed garden six months ago. My Mugwort, Perovskia, Yarrow, Mullein, Pennyroyal, Mints, Salad Burnet, Catmint, Fennel; all gone, cut off at the roots, demolished. By the time I'd gotten there last September, the shoots had lain in the refuse pile too long, and were too withered, dank and mildewy for decent use in drinkable tea. Rather, they carried the dark energy of a hex. And for such, I gathered them!

I took a pinch of the various herbs from each paper bag; again, not a lot needed. Then I pounded them in the mortar, made of some kind of pink stone. I remembered how betrayed I'd felt. How angry. And, how violated, by yet another entitled, ambitious man who'd just barged in and stamped all over somebody else's place. I thought of all the plants that had suffered because of that same attitude, but especially those plants that had depended on a space demarcated to my care. I pounded and ground them finely with my new little pestle, enchanting. Then I wrapped them in a pair my underwear(!), and packed them too.

Time to leave, well after one a.m. I grabbed my carryall, and one other thing: that two-gallon jug I'd prepared a couple months ago, full of straight white vinegar into which I'd dissolved a full canister of salt. It had lurked in a corner until now, waiting! Magic is all very well and good, but sometimes, you need to take material-plane action. The almost-full moon was beautiful, the sky silvery with a light haze, and the air bearably balmy with one of the first gentle gusts of spring, when away went Betty the Car (who no doubt pines for longer drives to blow the crap out of the cylinders) into the night down blessedly nearly deserted 82nd Street.

Again the park spread, lit briefly by candlelight

How strange it felt, to return to a place I'd one felt welcome! How surreal, to arrive as a thief in the night, but to take only by means of delivering. I've heard a good hex is like any other grubby job --- you don't think on it too much after the fact, you don't feel guilt, you just get in and get it done. And then get out. It's what I did. Act like you belong here, because before this shit, you did. Repeated silent trips between the jug and garden beds. Only select spots. A distant loud sound like a gunshot, followed by a couple of barks from a frightened dog. Shh . . . don't get the dog's attention. And away I went again.

Next I dug out the powdered herbs. Dear ones, this is the one who murdered you, I whispered, and that I was sorry to have let it happen. Do as your spirits deem appropriate. Because at that point, I merely felt like a facilitator. If I laid down smack for every plant hurt by a human, none of my race would even exist anymore, let's face it! I can't play Judge Dredd on behalf of the whole plant domain, and besides, my existence alone guarantees pain for other species. But I could address this one issue, which revolved around balance of justice for plants who had been under my care and violation of my space, and thus betrayal of both plant and human ward.

As I murmured, I sprinkled the herbs in a "hotline" across the opening of the guy's driveway. This is a typical foot-track or hotfoot powder hoodoo method: Lay down a trick where the target person will step or run over it. In this case, he couldn't walk or drive his vehicle out of the driveway without hitting the herbs. I don't care to hear what actually happens; I'm leaving ultimate results on that part of the job up to the spirits of my killed plants.

Once again I was off in Betty, focused only on the work of the moment (driving, in this case), but smelling more than a bit faintly of acetic acid.

The light of winter's last Full moon and the glow of a clove cigarette offering

I'd already settled on Laurelhurst Park for my Full moon pre-Equinox rite, for its size, location, and some indescribable overall quality or vibration of its landscape and features, no doubt which included the presence of a body of water. I didn't think to invoke it openly at the time, but my City Magick book would describe this presence as the "Deva" or spirit of Laurelhurst Park, and I definitely felt it as I worked, embracing my wary, furtive self protectively. What might it have felt? That instead of beer-swilling oblivious youth or vandals, here was a member of the two-legged race trying to appreciate the park and nature for its own sake? Regardless, the night felt perfect, the lovely moonlight filtering through the ragged silouhettes of the birches, willows and maples still bared from winter, yet with clusters of white flowers bursting open on the ground and tiny sprays of blooms on low trees. A night of power, gateway of mystery between two seasons.


Prowling carefully off the unlit path, I found a place under some bare birches, next to a patch of white and purple crocuses pushing joyfully up from the earth. I laid out my fur throw, arranged with items, then put on "dour" lipstick and drew symbols on my face. Then I changed into my black frock, and cast circle with the dirty bone I'd found. I invited Hekate and Severus and also Selene, who is the deity of the Moon. To invoke the first two, I lit my candle: This is risky, lest I set fire to something or someone sees me, so I lit it only long enough to take photos, and to light in turn the Pearly Everlasting and clove cigar. This I smoked a bit more in celebration, gazing at the pale moon through the gothic bare branches, feeling content if wary, and very much the witch.

Magic work consisted of first writing an intent of release on the Oak leaf. What was I just plain done with? Self-doubt and shame were good ones --- heck, those are always good ones to work on kicking out! Using a lighter, I burned the leaf; not completely, again out of safety, but enough. Then on the Bay leaf I wrote, in runes this time, what to manifest. What was the watchword of tonight and the months to come? How about . . . Boldness. And again, I burned the leaf with intention.

Throwing the bones

The Full Moon, as well as the Dark one, is also a good time for divination. So I shook the little pouch of foretelling bones I'd made a few weeks ago, and scattered them on the fur to see what I could glean for the coming couple of months, regarding travel and career. Of course, with only moonlight and my candle put out for sake of stealth, I couldn't see my reading for squat! So I took a photo. The bones I made are based on the ones Terrence read for me at Raven's Wing last year; same symbols. Ever since then I'd wanted my own set. Bone-reading is just so delightfully witchy!

Meanings for this particular set of runes



Crocuses in the moonlight

After the divining, it was pretty much time to wrap up the night; even the wee hours were growing old! Now I brought out the mixed wine elixir, took a tiny taste, and addressed my guides Selene, Hekate and Severus as I poured it on the ground in offering, and in gratitude for my renewed power as a mage and witch. Then I devoked, and away went all my carefully arranged items back in the box, before I opened circle with the bone pointer.

Moonlight over Laurelhurst Pond

I really am loth to have to end such a night as this, so to savor it a bit more and "dewitch" from the rite, I walked back along the dark path, where white flowers were opening and the moon shone eerily through the bare weeping willow branches. Then along one side of the little lake, on which lights were shimmering from the opposite shore. I grew up around water, and I miss it, so this revived wonderful memories of evenings on the bays of the San Juans and nights on our family's boat.


Finally it was across the park meadow and home in the car, with traffic noticeably increasing as the early shift made its way to work. I got home at 4:42 a.m., and pretty much went straight to bed. My feeling was one of deep gratitude and satisfaction for a long-planned and anticipated night, on which everything from the drive to the workings had gone so smoothly.


Go to bed an unwashed witch, wake up with magic on your face! (Besides the usual very greasy hair.) Not to mention, necklaces pressed into your cheek. I had to work at my job the next day and figured my late-night exploits would leave me feeling deader n' a doh-knob. . . . They did, but as I suspected, it was worth every minute. There was a thick, painful tension weighing on my heart that has now lifted, replaced instead by a kind of gentle ease and lightness. I feel like from this day forth, and from at least one phase, place and situation, I can gratefully move on.


And so Severus finds a mortar and pestle blessed, potions brewed and major magic worked at his altar for the first time, all on one night! I'm liking the idea of regular, even daily, devotions more and more, and certainly of regular magic work. For too long, my life has been a grind of untapped potential, devoid of the richness I desire to give it. May that change.

So mote it be!


Tuesday, March 19, 2019

A Snarky Altar Space


Severus Snape has had a presence on my home altar, off and on, for quite a long time now; since at least 2010, actually, though it wasn't obvious then. It began with the relicquary bottle of red simulacrum blood and remained thus for years. But now, I've stopped caring about hiding the truth. Severus is Severus! He's a powerful set of archetypes, and he's a part of my life; probably from now on. (When any figure, fictional or not, gives you solace and a new passion for living after the death of your closest parent, you kiiiiinda don't simply forget it.)

Severus' small piece of altar space,
circa March 18. Snape is all about
the black . . . and potions

A couple weeks ago on eBay I found a small vintage (2001, ha!) statuette of Snape, clearly a Christmas ornament, and bought it for my altarspace. It is Snape as I've always thought of him, pre-Rickman: sneering and greasy and amusingly unpleasant, in floor-length black robes. He certainly promises dire consequences for any foul beings that threaten my space and security! (He'd scare everyone away from the Christmas tree, too, those dunderhead brats.)


On the night of March 18 I unwrapped it, three days after receiving it: There was a kind of happy butterfly fest of anticipation in my stomach, part excitement and part fear, of opening the small box and beholding that snarky face up close. This fellow truly does radiate an incredible presence, despite being only three inches tall. But that's Professor Snape for you! There is simply no other entity quite like him. And look at his wee black fingernails. ♡


I "consecrated" the figurine with some smoke and placed him up next to my tiny pewter Naga Kanya or "Mama Cobra" deity from the Raven's Wing shop, where the two of them can glare at everyone meaningfully. Hsssss!


At home on the Altar of Potions Mastery, holding court in front of his own large (to him!) portrait. Plus a copy of a painted drawing I happen to love, for obvious reasons. I mean, that's my dream desk, and sort of how it ends up anyway.

March 12

In fan-written writings, one of Snape's pastimes is often shown to be chess; we have to assume he'd be terribly good at it. I haven't played chess in many years, but am now living with two kids who compete at chess at the State level! Whether or not I end up playing them, I decided to find my own set, preferably wood. During the search at an antique shop, I ran across this dear bronze box (above), which appears magical for sure.

I at last found my chess set...

Or rather, sets. Good ol' Scrap came through again, with a bin of random game pieces. I dug out all the similar chess pieces I could find, hoping for a full set. What I got was clearly two amalgamated sets instead, judging by a Light side a bit heavy on clergy and fortifications; polygamous Dark side royalty; and obviously both kingdoms have very good recruitment propaganda, as evidenced by the veritable litter of pawns.
Les majestes! En garde, varlet!


A day before tinySnape came in the mail, this came. It turns out I won't be vending at Pagan Faire as either PPM Labs (the Puddleton Potion Master) or as the HipSpinster because, a), I haven't had time to build an inventory due to work, and b), I'm rather p.o.ed at its host organisation Sister Spirit right now. That sounds petty, but it turns out the emotional abuse, gaslighting, nepotistic ("old girl", i.e. favoritism combined with a contrary reluctance to actually let new or younger members have an active voice) tendencies and just overall poor management is as rife in some women's organizations as anywhere else, and my poor friend had to put up with such crap for ten years. So, no Pagan Faire vending for Snape's protege; but I did agree to take a bit part in the afternoon ritual, as "2nd Druid". Whatever that is.

March 14

The organizer sounded desperate, of that particular last-minute variety (insert Snape sarcasms here, "Well that's how it is when you wait til the last minute, dunderhead!"), and it's no great difficulty for me. What she also did was redeem herself by putting this awesome Snape-celebrating stamp on the envelope!

Then there's this:


It's not mine. Yet, if ever. Order something from as far away as the Ukraine and you don't even know if it'll reach you. But how exquisite!


This 1:6 scale statue of our favourite wizard laboratory teacher and traditionally stern English schoolmaster is the sort of thing one can find on eBay. It's also the sort of thing I'd love someday for a Snape altar on which, ideally, there's plenty of room.


It's also well over a hundred dollars, understandably. I am just talented enough, and just masochistic enough, to try making my own possibly smaller altarpiece from polymer bake-clay in an attempt to achieve something like this; hence, my grabbing photos of this from every angle.

I've heard of dancers who speak of their confidence at being able to make their bodies do pretty much anything. Mine resides in art and craft power: When it comes to making stuff, in my scope, only time is of the issue.


Until my next masterpiece, then, I'll stick with tinySnape!